upcoming shows!


The Saxon Pub, 1320 South Lamar, Austin

When I first arrived here in Austin, way back in 1974, I was inspired by hearing a band called Denim. Their music immediately spoke to me, rich with wonderful melodies, great harmony singing, and intelligent songwriting. I actually covered a couple of their tunes with my own band. I sort of became the guest that wouldn't leave, and eventually these fine folks accepted me in the group. Now, over 50 years after their founding, we're still playing many of those great songs and a bunch of newer ones. (Even one of mine!). Don't miss an opportunity to hear this bunch.

"...comes through loud and clear: Barrett's earnest and charming songs and playing to match...there's a thread of honesty and soulfulness..." - Charleston Gazette

“…All good. All really good…He can write—exceptionally well. He can sing...He can play-—man, he can play…Damn fine stuff..." - Austin Chronicle

 "...tender ability to tap into the vagaries of midlife without sounding like overgrown teen angst." - International Acoustic Music Awards

Click here to download EPK

Click here to preview the new CD Give 'Em What They Want

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Give'em What They Want CD cover

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About the cd, Give'em What They Want:

As in his two previous solo outings, Barrett makes much of the music on this new disc himself, but there are plenty of guest appearances by friends and peers. Featured performers include Jim Lauderdale, Walt Wilkins, and Stuart Duncan, plus Gurf Morlix and Buddy Miller sharing vocals with Barrett on the single “3 Young Alleycats.” Credited to “3 Old Alleycats,” the song is a reminiscence of the days gone by when Morlix, Miller, and Barrett were knocking around Austin. In it, the three declare wistfully, “The universe will never be the same again,” but then muse “How long we can howl at the moon, no one can tell.”

 The music is solidly Americana, with nods to influences as diverse as The Band, Little Feat, and Gram Parsons, all of whom Barrett cites as inspirations.

At times the songs lean toward the country side of things, as in the slyly humorous, two-step inducing “Elephant In The Room” (with Lauderdale on harmony vocal.)

But there are also introspective singer-songwriter moments, notably in “If I Only Knew How,” with Barrett finding himself unable to help those close to him who need it the most.

Barrett may be best known for his sideman work (everyone from Chuck Berry to Jerry Jeff Walker to Buddy & Jim), but he’s amused by the notion that the CD represents some sort of debut as a front man. “…yeah, that’s…interesting, since I’ve been writing, recording, and performing my own songs for…well, really, since I was a teen”.

About touring behind the record, Patterson says, “It’s really about the songs; these songs show up, and I feel obliged to give them a chance to find an audience. So it’s sort of like, ‘The Songs of Patterson Barrett on Tour (accompanied by Patterson Barrett)’ If I don’t sing ‘em, who else will?”